DEC Journal
https://so07.tci-thaijo.org/index.php/decorativeartsJournal
<p>วารสาร<span class="s1"> DEC Journal </span>คณะมัณฑนศิลป์ มหาวิทยาลัยศิลปากร เป็นวารสารทางวิชาการทางด้านศิลปะ การออกแบบและสาขาวิชาที่เกี่ยวข้อง กำหนดเผยแพร่ปีละ<span class="s1"> 3 </span>ครั้ง เพื่อเผยแพร่บทความวิจัยและบทความวิชาการ ในสาขาศิลปะ การออกแบบและสาขาวิชาที่เกี่ยวข้อง ส่งเสริมให้เกิดการวิจัย การพัฒนาองค์ความรู้ การเขียนบทความวิชาการ<span class="s1">/</span>งานสร้างสรรค์ของอาจารย์ประจำคณะมัณฑนศิลป์ นักศึกษาระดับบัณฑิตศึกษา นักวิชาการ ผู้ทรงคุณวุฒิ ทั้งภายในและภายนอก คณะมัณฑนศิลป์ มหาวิทยาลัยศิลปากร ที่ผ่านการพิจารณาจากกองบรรณาธิการแล้ว นำเสนอให้ผู้ประเมินพิจารณาบทความ<span class="s1"> (peer-reviewer) </span>จำนวน<span class="s1"> 3 </span>ท่าน และไม่เปิดเผย ชื่อ<span class="s1">-</span>นามสกุล รวมถึงหน่วยงานที่สังกัดทั้งของผู้เขียนและผู้ประเมินบทความ<span class="s1"><strong><em> (double-blinded)</em></strong></span></p>คณะมัณฑนศิลป์ มหาวิทยาลัยศิลปากรen-USDEC Journal 2821-9082<p>จัดทำโดย ฝ่ายวิชาการ คณะมัณฑนศิลป์ มหาวิทยาลัยศิลปากร ลิขสิทธิ์ของบทความเป็นของเจ้าของบทความ บทความที่ได้รับการตีพิมพ์ถือเป็นทรรศนะของผู้เขียน กองบรรณาธิการไม่จำเป็นต้องเห็นด้วยและไม่รับผิดชอบต่อบทความนั้น</p>Creating sculptures in public spaces promotes the art, culture, and identity of the community along the dam area and the market community in Muang District, Ratchaburi Province.
https://so07.tci-thaijo.org/index.php/decorativeartsJournal/article/view/4587
<p>The Sculpture Creation for Public Space to promote Art Culture and local Identity. Case study of River Bank area. Ratchaburi Province. Firstly, the researchers collected primary data from a survey of the study area and also research on historical documents, cultural, knowledge, way of life and related arts. Then, analyzed to design a sculpture that can convey Ratchaburi identity or represents the way of life of Ratchaburi people in the past. The researchers want the creative work that is created to bring back the original roots along with preserving it to remain. Therefore, the story is conveyed through the form of contemporary sculpture where people can interact or make use of its in various ways.</p> <p> In conducting this research, two large-scale sculptures were created and installed at an old dam along the Mae Klong River, mueang Ratchaburi District. And for greater social impact The sculpture has also been translated into three prototype lamp products. Proceed to register a patent and exhibit design work in Department of Applied Arts Studies International Collaboration Profect 2023. For the resulting prototype works, community can be learned, improved, extended and developed to lead to the production process for distribution until being able to continue generating income for the community.</p>Phusit RattanapanopDaruth Sithiratn
Copyright (c) 2024 DEC Journal
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2024-08-312024-08-3132103010.69598/decorativeartsjournal.3.10 - 30 Multicultural Belief, Faith, and Behavior of District’s Aged Society to The Identity of Creative Recreation Area for A Cultural Tourism: A Case Study of Wutthakat Community, Jomthong Districts, Bangkok
https://so07.tci-thaijo.org/index.php/decorativeartsJournal/article/view/4711
<p>The Wutthakat community is located in the area of an ancient temple, it has royal architecture in the reign of King Rama III and the community has a diverse heritage of wisdom in the community. The research project was performed out using a mixed methods research design. A group of local elders was interviewed for qualitative study. Local artists, creatives, agency representatives, academics, and specialists to be evaluated, synthesized, and combined with theories to design a creative recreation area for cultural tourism.</p> <p> The study indicated that 1) Wutthakat community context Famous tourist destinations, Thai-Chinese cultural resources influenced by King Rama III, and intellectual heritage like the Pi-phat Kru Thongkham group are its strengths, Cockatoo-tiger stabbing game, etc. 2) Wutthakat seniors live simply, be self-sufficient and happy with your home and enjoy group fun and relaxing activities. 3) The possibility of local expenses to develop an identity that matches community elderly behavior and encourage beautiful creation Preservation and emphasis on the area's original attractiveness are its goals.</p> <p> Based on study results Researchers advise using research results and future research. Local leaders and residents It increase involvement and comprehension. Designing a creative cultural tourism leisure area. In order to enhance the overall well-being of the elderly population and foster the establishment of a secure community. The individual expresses a willingness to engage in sustainable adaptation.</p> <p> The study indicated that 1) Wutthakat community context Famous tourist destinations, Thai-Chinese cultural resources influenced by King Rama III, and intellectual heritage like the Piphat Kru Thongkham group are its strengths. Cockatoo-tiger stabbing game, etc. 2) Wutthakat seniors live simply. Be self-sufficient and happy with your home. and enjoy group fun and relaxing activities. 3) The possibility of local expenses to develop an identity that matches community elderly behavior. and encourage beautiful creation Preservation and emphasis on the area's original attractiveness are its goals.</p> <p> Based on study results Researchers advise using research results and future research. Local leaders and residents It increase involvement and comprehension. Designing a creative cultural tourism leisure area. In order to enhance the overall well-being of the elderly population and foster the establishment of a secure community. The individual expresses a willingness to engage in sustainable adaptation.</p> <p> </p> <p><strong>Key word:</strong> Multiculture, Aged Society, The Identity, Creative Recreation Area, Cultural Tourism</p>Anucha PaengkasornSukanda ThinthanManintra Tumkositi Busakorn Houbcham
Copyright (c) 2024 DEC Journal
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2024-08-312024-08-3132315310.69598/decorativeartsjournal.3.31 - 53The Consciousness of the Chinese Descendant's Inheritance to the Antecedent's Roots
https://so07.tci-thaijo.org/index.php/decorativeartsJournal/article/view/5280
<p>This article is part of a research project on the transmission of identity through the practice of traditional rituals among Thai-Chinese, a culture rich in heritage. It examines the history of ancestors who migrated from mainland China to Thailand during the 18th to 20th centuries. These immigrants faced significant challenges in their struggle for survival, including government policies aimed at controlling communism, which led to political oppression and discrimination from the Thai population. Despite these difficulties, Chinese immigrants played an important role in driving Thailand’s economy by establishing businesses and becoming key players in trade and commerce.</p> <p>However, anti-communist policies and societal prejudices forced many Chinese immigrants to assimilate into Thai society through intermarriage with Thais and the adoption of Thai names and surnames, resulting in a crisis of Chinese identity that has diminished in subsequent generations. Despite these challenges, the Thai-Chinese community has continued to strive to preserve their cultural heritage and build an economy based on tradition.</p> <p>In contemporary times, the world is rapidly changing, and the Chinese identity among younger generations seems to be fading. Interest in traditional rituals is diminishing and may not align with modern lifestyles. Practices such as ancestor worship, setting up altars at home, and the complexities of Chinese offerings are becoming less prevalent. This article explores the transformation of Thai-Chinese ritual practices from traditional methods to adapted forms by analyzing historical records, documents, and related research. The research hypothesis posits that preserving and practicing traditional rituals is crucial for strengthening family bonds and creating a unique identity for the Chinese community in Thailand. Thai-Chinese descendants recognize that their Chinese heritage is deeply connected to their ancestral roots. This connection fosters an appreciation for practicing Chinese traditions, vital for preserving their cultural heritage. Amidst a rapidly evolving society, how can traditional rituals retain their value and spirit for future generations? If these practices cannot adapt to the modern era, leveraging digital technology and multimedia communication might help sustain and modernize cultural heritage for the younger generation.</p>อาภาพรรณ ปลั่งสิริสุนทร
Copyright (c) 2024 DEC Journal
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2024-08-312024-08-3132547610.69598/decorativeartsjournal.3.54 - 76ศึกษาแนวโน้มและวิเคราะห์ผลงานกราฟฟิตี้ในช่วงเวลาปี พ.ศ. 2566-2567 ของศิลปินไทย
https://so07.tci-thaijo.org/index.php/decorativeartsJournal/article/view/5006
<p><span data-contrast="none">This research have a purpose to explore trends and analyze patterns graffiti style that occur among Thai artists in the period 2023-2024, with methods for collecting their works Thai graffiti artist no less than 200 works and interviews with artists. Number of not less than 10 artists to inquire about information and the artist's work process. By selecting random samples without specifying the sample.</span><span data-ccp-props="{"201341983":0,"335551550":6,"335551620":6,"335559739":0,"335559740":240,"469777462":[720],"469777927":[0],"469777928":[1]}"> </span></p> <p><span data-contrast="none">The study found that there are 4 styles of graffiti art trends: 1.) letters sprayed with deep dimensions 2.) sprayed on stencil paper 3.) cartoon images or characters. and finally 4.) it is a picture that reflects a perspective. The highest number from the survey is that the number one is a type of letter that is sprayed with deep dimensions. and the second is a cartoon image or character. and the third is a picture that reflects perspective. And the last one is spray-painted on stencil paper. And the next issue are places to create graffiti, the first is public walls and the second is abandoned buildings, and the third is overpass and under bridge, respectively. And the next issues are the animals that are most popular to be made into cartoons or characters, the first are birds and second are dogs and cats, respectively. And the last issues are the most popular time for creating the work of graffiti artists. From night to dawn, Most of the time, artists will find a time when there are not too many people walking around to make their work more convenient.</span><span data-ccp-props="{"201341983":0,"335551550":6,"335551620":6,"335559739":0,"335559740":240,"469777462":[720],"469777927":[0],"469777928":[1]}"> </span></p> <p><span data-contrast="none">In summary, graffiti in Thailand during the period of 2566-2567 has clearly developed and expanded, presenting both opportunities and challenges. Balancing artistic expression with effective management will be key to promoting and preserving the value of graffiti in the future.</span><span data-ccp-props="{"201341983":0,"335551550":6,"335551620":6,"335559739":0,"335559740":240,"469777462":[720],"469777927":[0],"469777928":[1]}"> </span></p>Natthapat Noisawad
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2024-08-312024-08-3132779410.69598/decorativeartsjournal.3.77 - 94The History and Aesthetics of Pixel Art
https://so07.tci-thaijo.org/index.php/decorativeartsJournal/article/view/5293
<p><span class="TextRun SCXW205623703 BCX0" lang="EN-US" xml:lang="EN-US" data-contrast="auto"><span class="NormalTextRun SCXW205623703 BCX0">This article aims to study the history and aesthetics of pixel art, focusing on its role and significance in the present day, despite the advancements in technology. The research includes an examination of relevant design works and studies, along with an analysis of artworks presented at the Thailand Biennale Chiang Rai 2023 and BIENNALE ARTE 2024. The findings reveal that pixel art </span><span class="NormalTextRun SCXW205623703 BCX0">remains</span><span class="NormalTextRun SCXW205623703 BCX0"> popular and holds aesthetic value, reflecting a sense of nostalgia that influences contemporary and future design.</span></span><span class="EOP SCXW205623703 BCX0" data-ccp-props="{"335551550":13,"335551620":13}"> </span></p>Auttasead Preedakorn
Copyright (c) 2024 DEC Journal
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2024-08-312024-08-31329511910.69598/decorativeartsjournal.3.95 - 119