DEC Journal https://so07.tci-thaijo.org/index.php/decorativeartsJournal <p>วารสาร<span class="s1"> DEC Journal </span>คณะมัณฑนศิลป์ มหาวิทยาลัยศิลปากร เป็นวารสารทางวิชาการทางด้านศิลปะ การออกแบบและสาขาวิชาที่เกี่ยวข้อง กำหนดเผยแพร่ปีละ<span class="s1"> 3 </span>ครั้ง เพื่อเผยแพร่บทความวิจัยและบทความวิชาการ ในสาขาศิลปะ การออกแบบและสาขาวิชาที่เกี่ยวข้อง ส่งเสริมให้เกิดการวิจัย การพัฒนาองค์ความรู้ การเขียนบทความวิชาการ<span class="s1">/</span>งานสร้างสรรค์ของอาจารย์ประจำคณะมัณฑนศิลป์ นักศึกษาระดับบัณฑิตศึกษา นักวิชาการ ผู้ทรงคุณวุฒิ ทั้งภายในและภายนอก คณะมัณฑนศิลป์ มหาวิทยาลัยศิลปากร ที่ผ่านการพิจารณาจากกองบรรณาธิการแล้ว นำเสนอให้ผู้ประเมินพิจารณาบทความ<span class="s1"> (peer-reviewer) </span>จำนวน<span class="s1"> 3 </span>ท่าน และไม่เปิดเผย ชื่อ<span class="s1">-</span>นามสกุล รวมถึงหน่วยงานที่สังกัดทั้งของผู้เขียนและผู้ประเมินบทความ<span class="s1"><strong><em> (double-blinded)</em></strong></span></p> en-US <p>จัดทำโดย ฝ่ายวิชาการ คณะมัณฑนศิลป์ มหาวิทยาลัยศิลปากร ลิขสิทธิ์ของบทความเป็นของเจ้าของบทความ บทความที่ได้รับการตีพิมพ์ถือเป็นทรรศนะของผู้เขียน กองบรรณาธิการไม่จำเป็นต้องเห็นด้วยและไม่รับผิดชอบต่อบทความนั้น</p> areerungruang_s@silpakorn.edu (รองศาสตราจารย์ ดร.ศุภชัย อารีรุ่งเรือง) areerungruang_s@silpakorn.edu (รองศาสตราจารย์ ดร.ศุภชัย อารีรุ่งเรือง) Fri, 27 Dec 2024 23:41:21 +0700 OJS 3.3.0.8 http://blogs.law.harvard.edu/tech/rss 60 Diwali : The Festival of Lights, Beliefs, Faith and Aspirations of Hindu Religion https://so07.tci-thaijo.org/index.php/decorativeartsJournal/article/view/6119 <p><strong> </strong>The migration of people from one place to another, especially those who go to establish new communities in other countries, is called creolization. These people also bring their culture, traditions, values, and beliefs with them to the new area, thus leading to the spread of ideas and practices based on their religious beliefs. This has led to the spread of ideas and practices based on their religious beliefs, these Indian immigrants were known by different names. In Thailand, Thais may be called the Punjabi merchants, leaders of cultural beliefs and traditions. The Diwali festival celebrates, from the study it was found that this festival is the victory of good over evil according to Hindu beliefs. Diwali is held all over the world, including in Thailand, where Indians live. Diwali or Dipali means the line of lights. It is a form of worship of gods according to religious beliefs. It is a festival that involves lighting candles, and lamps, and praying to the gods and goddesses of wealth and prosperity. Diwali is celebrated for 5 days with many rituals. These rituals vary from state to state and within regions of India. This article presents only some stories about the concepts, beliefs, and religious traditions of Diwali or the Hindu festival of lights. Sikhs and Jains can also be found there. They had the opportunity to join the Diwali festival and collect data at “Little India” in the Pahurat - Khlong Ong Ang area to present the festival format in Thailand’s multicultural society for those interested in studying further.</p> <p> </p> Atiyot Sankaburanurak Copyright (c) 2024 DEC Journal https://creativecommons.org/licenses/by-nc-nd/4.0 https://so07.tci-thaijo.org/index.php/decorativeartsJournal/article/view/6119 Fri, 27 Dec 2024 00:00:00 +0700 Retro Technology : Bridging Generations and Strengthening Family Bonds in the Digital Era https://so07.tci-thaijo.org/index.php/decorativeartsJournal/article/view/6110 <p>This article examines the use of retro technology as a tool for bridging generational gaps and strengthening family relationships in the digital age. Through three case studies examining vinyl records, film/Polaroid cameras, and classic car maintenance, we explore how these technologies create shared learning spaces between family members of different generations. The study demonstrates how retro technology facilitates knowledge transfer, experience sharing, and joint activities, with older generations passing down expertise while younger members gain historical skills and values. This interaction leads to stronger family bonds and reduced generational gaps. The research also provides practical guidelines for implementing retro technology in intergenerational relationship building, offering sustainable solutions for families and society to bridge generational divides through technological heritage.</p> Puddhi Dheppratum, Ph.d Copyright (c) 2024 DEC Journal https://creativecommons.org/licenses/by-nc-nd/4.0 https://so07.tci-thaijo.org/index.php/decorativeartsJournal/article/view/6110 Fri, 27 Dec 2024 00:00:00 +0700 The Evolution of Artistic Expression and Art Valuation: An Integrated Analysis https://so07.tci-thaijo.org/index.php/decorativeartsJournal/article/view/6098 <p>This article aims to conduct an in-depth analysis of the creative process in art and the integration of perspectives in art valuation by examining historical evolution, theoretical frameworks, and contemporary practices. The study covers the transformation of creative processes from the classical era to contemporary and digital art, analyzing shifts in the emphasis on motor skills, expressive techniques, and theoretical concepts. The analysis reveals that the creative process is a complex interaction between sensory experiences, cognitive processes, and artistic expression, with socio-cultural contexts serving as crucial factors. The study also finds that contemporary art valuation necessitates the integration of diverse perspectives, including aesthetic, conceptual, social, and technical dimensions, particularly in the context of digital art characterized by interactivity, variability, and immateriality. This article presents an integrated analytical framework that can be comprehensively and appropriately applied to evaluate contemporary and digital artworks in the current context.</p> Pongpan Suriyapat Copyright (c) 2024 DEC Journal https://creativecommons.org/licenses/by-nc-nd/4.0 https://so07.tci-thaijo.org/index.php/decorativeartsJournal/article/view/6098 Fri, 27 Dec 2024 00:00:00 +0700 Structure of art composition in Thai murals https://so07.tci-thaijo.org/index.php/decorativeartsJournal/article/view/5188 <p>Explaining the principles of artistic composition in traditional Thai painting, especially the method of structuring images, often uses explanations based on western theories of image creation and composition of shapes, which may provide some level of understanding. However, ancient Thai mural paintings did not take into account how to create artistic elements according to Western methodologies, thus causing problems in many issues that Western methodologies could not fully explain. Because Thai artisans have a unique design concept, image structure, storytelling sequence, creating a feeling of beauty and satisfaction from knowledge and developing experiential skills. Therefore, the method for explaining the structure of artistic composition in Thai murals has not been explained or compiled into a clear system. The explanation for each group is different according to the specific method that needs to be explained. Conveying memories or taking notes to refer to murals may not follow strict rules or conventions. From collecting and comparing in many areas, it was found that the painting designs of ancient Thai artisans had principles or popular guidelines. If only the knowledge of design art had not been recorded in writing. Even though the work is a model, it can be followed as if it were a recording of a craftsman. But following without understanding thoroughly will cause the example to drift away. It can be developed or resolved into a unique style with a certain degree of independence. Trying to understand what the main patterns are in the structure of artistic composition in Thai murals and how each pattern is appropriate for use. It is a guideline for developing or extending this knowledge and applying it in other ways. From this point of view, we focus on the structures that Thailand has a pattern following the example of Kru Chang as the main method for selecting specific sample streams studied from there, Chang Luang or following the example of the expert royal technicians who are commonly used as references for study. By separating the art elements into different parts of the walls of a church or cathedral. Therefore, it shows the achievement in design wisdom. both telling stories Expressing emotions, feelings, aesthetics, harmony and specific tastes.</p> Arnuphap Chantharamporn Copyright (c) 2024 DEC Journal https://creativecommons.org/licenses/by-nc-nd/4.0 https://so07.tci-thaijo.org/index.php/decorativeartsJournal/article/view/5188 Fri, 27 Dec 2024 00:00:00 +0700 Flow State While Using Mixed Reality to Create Episodic Digital Experiences https://so07.tci-thaijo.org/index.php/decorativeartsJournal/article/view/5624 <p>This study investigates the intersection of flow states and Mixed Reality (MR) technology within artistic creation and immersive storytelling, emphasizing the transformative potential of MR tools in enhancing creativity, collaboration, and engagement. By integrating MR into artistic workflows, the research highlights how adaptability and perseverance in navigating advanced technologies can drive innovative practices, offering valuable insights for artists, designers, and technologists. The primary objective of this research is to explore how MR art authoring tools can facilitate flow states in creative processes and enable the creation of episodic extended reality (XR) experiences that seamlessly merge digital and physical realities. A qualitative methodology was employed, centered on collaborative artistic experiments conducted during an artist residency at Silpakorn University's Faculty of Decorative Arts. Participants included an experienced XR artist, Master’s and Ph.D. student, and faculty members. Workshops, seminars, and real-world applications of MR tools—such as Gravity Sketch, Open Brush, Nomad Sculpt, and Adobe Aero—provided a platform to analyze the dynamics of flow states in MR environments. The findings reveal that MR tools effectively induce flow states, characterized by time distortion, fulfillment, and autotelic behavior. Episodic XR storytelling emerged as a compelling medium for immersive artistic expression, with characters like Jaffa the biscuit maker and Juju the little pig exemplifying the imaginative possibilities of MR technology. Participants demonstrated heightened engagement, collaboration, and adaptability, overcoming technological challenges while reimagining physical spaces through geospatially anchored augmented reality (AR) experiences. The study underscores the importance of maintaining a flexible and experimental mindset to navigate the complexities of emerging technologies. It highlights the synergistic relationship between flow psychology and MR tools, emphasizing the critical role of play in unlocking creativity and fostering genuine self-expression. The collaborative and iterative processes observed affirm MR's potential to inspire dynamic narratives, transform artistic workflows, and contribute to the evolving understanding of flow states and digital creativity in contemporary art practice of storytelling that emphasizes the impact that technology has on the production of immersive media.</p> Gomesh Karnchanapayap, Kevin Ang Copyright (c) 2024 DEC Journal https://creativecommons.org/licenses/by-nc-nd/4.0 https://so07.tci-thaijo.org/index.php/decorativeartsJournal/article/view/5624 Fri, 27 Dec 2024 00:00:00 +0700