International Journal of Architecture, Art and Design (IJAD)

Sukhothai Artisans’ Experiences and Impressions Gained from Participating in Jinju International Craft Market during Jinju Traditional Crafts Biennale 2025 in Republic of Korea

2025-12-29T11:19:28+07:00

This article aims to share experiences of Sukhothai artisans who participated in the international crafts market during Jinju Traditional Crafts Biennale which was held in Jinju, South Korea between October 1st to November 16th 2025 under the theme: Between, Nature to Human. This first international craft market was initiated in 2025 as associated event under the UNESCO Creative Cities Crafts Market held from the 1st to 4th October in the Jinju Railway Cultural Park. There were about 25 domestic and international craft artists to join this event. Two artisans from Sukhothai were selected to exhibit their crafts, the first is Raveewan Khanadnid a textile artisan of Suntree and the second artist is Anurak Bunkhong who is a pottery artisan from MothanaCeramic.

Climate Change Adaptation through the Cultural Approach with Creativity in Ambon City of Music, Maluku

2025-12-29T11:22:53+07:00

Culture and creativity are vital resources for climate change mitigation and adaptation, as climate and culture are deeply interconnected and mutually reinforcing. While climate change threatens local traditions, knowledge systems, and cultural heritage, these same cultural assets—when preserved and empowered—can contribute significantly to environmental protection and the strengthening of climate resilience. Beyond safeguarding heritage, culture plays a transformative role in global climate action by shaping mindsets, attitudes, and behaviours, and by inspiring innovative, place-based solutions. In urban contexts, culture-driven policies and creative practices are increasingly recognised as essential for addressing climate-related risks. Place-based culture and creativity foster collective visions, enhance awareness, build local capacities, and support social integration, enabling cities to respond more effectively to climate challenges and advance sustainability transitions. These culture-based approaches are particularly relevant for city policymakers, cultural practitioners, and urban communities. The 2025 MONDIACULT Declaration underscores the urgency of integrating cultural heritage and creativity into international climate discourse, highlighting the role of traditional and indigenous knowledge and cultural innovation in climate action, especially in the face of extreme events. This paper examines Ambon City of Music as a case study, where the preservation of endemic plant species— essential for traditional musical instrument production—has led to the establishment of a “music forest.” This initiative demonstrates how cultural ecosystems can support biodiversity conservation, disaster mitigation, and cultural resilience within fragile smallisland environments.

Cultural Identity of Sichuan Yingjing Black Sand Pottery in Contemporary China

2025-12-29T11:25:45+07:00

This paper reviews the cultural identity and modes of self-expression embodied in Sichuan Yingjing black sand pottery within the context of China’s modernization. As a timehonored ceramic tradition distinguished by unique local raw materials and handcrafted techniques, Yingjing black sand pottery carries profound cultural memory, regional identity, and practical value. However, China’s rapid modernization has posed significant challenges to traditional handicrafts, particularly in negotiating continuity between inherited practices and contemporary lifestyles. This study traces the transformation of Yingjing sandware from its earlier identity as Yingjing casserole—once centered on utilitarian kitchenware—to a diversified form of black sand pottery characterized by technological advancement, artistic innovation, and expanded social functions since the 1980s. Based on field investigations, participatory observation in production and firing processes, and a review of relevant literature, this paper examines Yingjing sandware as both an intangible cultural heritage and a living cultural practice. It explores how traditional craftsmanship, settlement culture, and ecological values are preserved while being reinterpreted to meet modern consumer demands. The study further situates Yingjing sandware within contemporary academic discourse, identifying insufficient studies and limited analysis of its cultural identity and social significance beyond technical and historical perspectives. The findings suggest that Yingjing black sand pottery functions as an important carrier of cultural identity in contemporary China, mediating tensions between rural heritage and urban consumption. Its sustainable future depends on balancing the preservation of traditional craftsmanship with innovative design strategies response to modern lifestyles and diverse markets.

Reviving and Developing Traditional Handicrafts as a Green Transformation Process: The Case of the Nam Cao Silk Weaving Cooperative in Hung Yen Province, Vietnam

2025-12-29T11:28:51+07:00

This paper explores the revival and enhancement of traditional crafts as a process of green transformation, focusing on the Nam Cao Silk Weaving Cooperative in former Thái Bình Province, now Hung Yen Province in Vietnam. The main methodologies include reviewing secondary data, field trips, and interviews. The cooperative's embrace slowcrafted materials and eco-friendly techniques exemplifying a sustainable approach. By employing manual dyeing processes with natural materials, the cooperative reduces harmful chemicals, contributing to a healthier environment. Their circular ecosystem includes mulberry cultivation, silkworm farming, pupa production, and the sale of mulberries and tea from mulberry leaves, creating a sustainable and circular economic model. Additionally, eco-tourism and educational activities of the Nam Cao Cooperative based on mulberry growing and silkworm farming to attract visitors, fostering an agricultural-tourism synergy. The development of the handicrafts and services of the Nam Cao Cooperative not only diversifies the local economy but also strengthens community bonds and instills a sense of local pride, replacing previous feelings of inferiority associated with peasant practices. Especially, with the efforts of the Nam Cao Cooperative and partners, the state has officially recognized the Nam Cao village’s silk tradition as a national intangible cultural heritage. This underscores the significant contribution of the Nam Cao Cooperative to the local culture and national cultural economy, highlighting its role in promoting sustainable development and preserving cultural heritage. This case study of the Nam Cao Silk Weaving Cooperative illustrates how the revival and development of traditional crafts can lead to environmental sustainability, economic diversification, and community revitalization, offering valuable insights for similar initiatives worldwide.