The River as Witness and Wound: Reimagining Riverine Entanglements in Anita Agnihotri’s Mahanadi
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Abstract
This paper examines how Anita Agnihotri’s Mahanadi: The Tale of a River (2021) reconceptualizes riverine agency through the framework of the Blue Humanities. It argues that the novel positions the Mahanadi not as landscape but as a sentient protagonist whose shifting states reflect the complex and often unequal relationships between human and nonhuman worlds. Through its polyphonic form and interlinked stories, the novel highlights the experiences of fisherfolk, weavers, Adivasi healers, and other marginalized communities whose identities and livelihoods are inseparable from the river. Drawing on the histories of displacement caused by the Hirakud Dam, the novel situates water as both cultural archive and witness to ecological and political violence. The paper contends that by foregrounding riverine agency, Mahanadi advances a Global South perspective on watery entanglements and calls for ethical frameworks rooted in indigenous epistemologies. The novel, therefore, serves as a literary archive for rethinking water, culture, and survival in an era of ecological precarity.
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