NARRATIVE TECHNIQUES AND CINEMATIC LANGUAGE IN THE FILM THIRTEEN LIVES

Abstract

The research titled “Narrative Techniques and Cinematic Language in the Film Thirteen Lives” aims to 1) examine the narrative strategies employed in Thirteen Lives, and 2) analyze the use of cinematic language in the film. Utilizing a qualitative methodology through content analysis, the study focuses on Thirteen Lives, directed by Ron Howard, which portrays the rescue of a youth football team trapped in Tham Luang Nang Non cave, Mae Sai District, Chiang Rai Province. The film reflects the values of cross-cultural human cooperation and the confrontation with natural adversity. The findings reveal six key narrative components: 1) Plot – a chronological sequence of events; 2) Theme – an emphasis on sacrifice and unity; 3) Conflict – internal, interpersonal, and external tensions, including environmental and time-based challenges; 4) Character – both active and passive roles portrayed with realistic depth and emotional resonance; 5) Scene – a combination of natural and constructed settings to enhance realism; 6) Point of View – an omniscient narrative perspective. In terms of cinematic language, four core components are identified: 1) Light and Shadows – use of high-key lighting, low-key lighting, and directional lighting to evoke mood; 2) Color – natural and cool tones are employed to evoke tension and a sense of mystery or desolation; 3) Cinema Photography – predominantly medium shots, with camera movement reserved for pivotal moments; 4) Editing – a blend of continuity editing and cross-cutting to intensify narrative progression