SOUND LEVEL COLLECTION : RESEARCH ON THE CREATION TECHNIQUES OF MA JIANPING ORCHESTRAL WORK BAI GUANG

ผู้แต่ง

  • Jishu Zhou Faculty of Fine and Applied Arts,Suan Sunandha Rajabhat University, Thailand.
  • Nataporn Rattachaiwong Faculty of Fine and Applied Arts,Suan Sunandha Rajabhat University, Thailand.
  • Jianming Qian Journal Editorial Department, Nanjing Arts, Institute, Thailand.

คำสำคัญ:

Ma Jianping,, Sound Level Collection,, Orchestral Music,, Creative Techniques

บทคัดย่อ

This research objective explores Ma Jianping's creative techniques in his orchestral work “White Light,” focusing on sound level collection a key concept in music theory for organizing scales and intervals. The study provides an in-depth analysis of how this technique shapes the structural integrity of the piece, while also revealing the unique musical characteristics and connotations of "White Light." By integrating traditional composition methods with modern music ideas, this research offers new insights into music theory, aiming to benefit future composers and educators. The study also highlights Ma Jianping's innovative influence on contemporary orchestral music in China, demonstrating the significance of sound level collection in modern composition.

 

References

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เผยแพร่แล้ว

2024-10-23