AN ANALYSIS OF ASSUMPTIONS AND AUTHENTICITY OF DRAMATIC CHARACTERIZATION BASED ON CULTURAL CONTEXTS

ผู้แต่ง

  • Xiaotong Liu Graduate student in Performing Arts Program, Faculty of Fine and Applied Arts, Suan Sunandha Rajabhat University, Thailand
  • Supavadee Potiwetchakul Graduate student in Performing Arts Program, Faculty of Fine and Applied Arts, Suan Sunandha Rajabhat University, Thailand
  • Yuxiao Xu Graduate student in Performing Arts Program, Faculty of Fine and Applied Arts, Suan Sunandha Rajabhat University, Thailand

คำสำคัญ:

Cultural Context;, Dramatic Characterization;, Assumptions;, Authenticity

บทคัดย่อ

This study aims to examine (1) in order to understand the influence of cultural contexts on assumptions and authenticity in theatrical representations, and  (2)  in order to explore the ways in which the art of theater can be adapted and enriched by adjusting the balance between assumptions and authenticity in different cultural contexts. The research methodology includes a literature review and a interview. The findings reveal the multifaceted effects of cultural contexts on dramatic characterization, including characterization, plot development, and thematic expression. The Research Discussion and Suggestions section further deepens the reflection on this issue and provides new perspectives for theater creation and research.

References

Benedict, A. (2018). Cultural Contexts in Theater: A Comparative Analysis. New York: Theater Arts Press.

Chen, L. (2020). Theatre and Cultural Exchange: New Perspectives. Beijing: Performing Arts Publishing House.

Hu, Xingliang. (2018). The modern construction of Chinese drama theory - A study on the modernization of Chinese drama theory in the 20th century. Dramatic Arts (04), 4-25. doi:10.13737/j.cnki.ta.2018.04.002.

Kang, Kyung-gyu. (2017). A Treatise on Indian Theater. Asian and African Studies (01), 3-18.

Lee, S. G. . (2018). Exploring the development lineage of Western drama narrative theory--A review of Research on the Transformation of Western Modern Drama Narrative. Journal of Yunnan University of Finance and Economics (02), 2. doi:10.16537/j.cnki.jynufe.000274.

Liu, Y. J. & Liao, B.. (2022). History of Chinese and Foreign Drama. Guangxi Normal University Press.

Ma, Guojun. (2016). A New Theory on the Classification of Traditional Chinese Drama and the Hierarchy of Opera Genres. Art Review (06), 7. doi:10.16364/j.cnki.cn11-4907/j.2016.06.004.

Nguyen, T. (2021). Cross-Cultural Dynamics in Contemporary Theatre: Challenges and Strategies. London: Routledge.

Smith, J. (2019). Innovative Theater: Navigating Cultural Assumptions and Authenticity. Los Angeles: Drama & Performance Studies.

Wang, Linqing. (2022). Reflections on life and death in traditional Japanese theater. Delta (11), 186-188.

Xiao, Baojiang. (2006). The Penetration of Dream Thinking in Chinese Traditional Drama. Movie Review (09), 110-111. doi:10.16583/j.cnki.52-1014/j.2006.09.005.

Zhou Ning. (2021). Western theater theory: from romanticism to realism. Xiamen University Journal of Chinese Literature (00),149-169.

Downloads

เผยแพร่แล้ว

2024-12-30