AN EXPLORATION OF THE CENTRAL ROLE OF FIELDWORK IN THE STUDY OF TAOIST DRUMMING AT XISHAN GUAN

ผู้แต่ง

  • Yu Meihan Faculty of Fine and Applied Arts,Suan Sunandha Rajabhat University, Thailand.
  • Manissa Vasinarom Faculty of Fine and Applied Arts,Suan Sunandha Rajabhat University, Thailand.

คำสำคัญ:

Fieldwork,, Taoist Drumming,, Cultural Heritage

บทคัดย่อ

Taoist drumming is a form of artistic performance unique to Xishan Guan in Guangfeng, Jiangxi Province. As an important part of traditional Chinese religious culture, it carries deep historical deposits and unique religious connotations. In Taoist ceremonies, drumming is not only a bridge between humans and gods, but also an important medium for the transmission of Taoist culture. With the deepening of academic research, fieldwork, as a direct and vivid means of research, plays an increasingly important role in the study of Taoist drumming. The purpose of this paper is to explore the central role of fieldwork in the study of Taoist drumming and how it can provide new perspectives and depth to our understanding and interpretation of Taoist drumming as a traditional art form. In conclusion, fieldwork plays a central role in the study of Taoist drumming, not only enriching the content of the study, but also opening up new avenues for academic research and cultural heritage of Taoist music. This paper analyses examples of the application of fieldwork to the study of Taoist drumming and explores its important contributions in terms of data collection, theory construction, cultural understanding, and preservation and transmission.

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เผยแพร่แล้ว

2025-02-28