Flower Trees of Faith : Local Wisdom and Cultural Identity of Ban Saeng Pha Community, Na Haeo District, Loei Province DOI:

Abstract

This research aimed to analyze the intellectual identity of the Ban Saeng Pha Flower Tree Procession tradition in Na Haeo District, Loei Province, by applying the framework of cultural capital, identity, and cultural wisdom. Data collection involved primary surveys, both participatory and non-participant observations, and in-depth interviews with knowledgeable people and villagers involved in the tradition. The research results found that the flower tree is a cultural symbol reflecting technical and aesthetic knowledge that has been passed down for over 400 years.It is used in the Buddhist ceremonies honoring the Triple Gem during the Boon Duan Song Nam Festival. The unique identity of the Ban Saeng Pha flower tree lies in its distinctive shape, height, and size, attributed to the abundant bamboo resources, which allow for the construction of large, strong, and stable structures. Technical wisdom is evident in the standardized proportions of the flower tree. The design of key components, structural assembly techniques, tying of pegs, and the use of all natural materials, as well as aesthetically pleasing decorations, such as seasonal flower spacing and the use of candlelight during the procession around the ubosot (ordination hall) at night. Furthermore, knowledge is passed down between generations, from working-age adults to youth, reflecting the integration of Buddhist beliefs, folk art, and community lifestyles. The traditional flower tree procession, therefore, not only possesses artistic and aesthetic value, but also plays a role in fostering unity, promoting the community economy, and preserving local cultural identity. It also serves as a medium for connecting religious beliefs with the way of life and clearly proclaiming the identity of the Ban Saeng Pha community.