The Performance Languages of Gaoqiang in Changde Han Opera: Contemporary Inheritance and Transformation
Abstract
Background and Aim: Changde Han Opera, a significant regional opera genre in Changde, Hunan Province, is an important part of Chinese traditional theater. As its core vocal style, Gaoqiang is distinguished by its powerful and impassioned singing, distinctive accompaniment, and rich vocal techniques, all of which contribute to its unique artistic expression. However, in contemporary society, traditional Chinese opera as a whole faces challenges such as a shrinking audience base, transformations in transmission methods, and shifts in cultural consumption patterns. These factors have also impacted the survival and development of Gaoqiang in Changde Han Opera. This study aims to:1. Trace the historical origins of Gaoqiang in Changde Han Opera and clarify its artistic characteristics and cultural significance.2. Analyze the core features of its performance language, including vocal techniques, accompaniment styles, and singing forms.3. Explore effective strategies for the inheritance and innovation of Gaoqiang to support its modernization and sustainable development.
Materials and Methods: This study used a combination of literature research and field research methods. Through textual analysis, field research, and interviews, the evolution of Gaoqiang, the high-pitched style of Changde Han Opera, was systematically analysed, the artistic characteristics of its performance language were explored, and contemporary approaches to inheritance and innovation were discussed.
Results: This study deepens the understanding of the intrinsic value of Changde Han Opera Gaoqiang and explores a feasible path for the modern transformation of traditional art. The research shows that the inheritance and innovation of the performing language is the key to activating the vitality of traditional opera. Based on maintaining the authenticity of the art, modern aesthetic and technical means need to be integrated to expand the audience base. In the future, a three-in-one inheritance system of ‘archival protection + digital dissemination + creative development’ can be further constructed to promote the transformation of Changde Han Opera Gaoqiang from a local opera resource into a cultural asset shared across the country and even the world.
Conclusion: The study found that Changde Han Opera Gaoqiang not only carries a profound cultural heritage and artistic wisdom but also demonstrates a unique identity as a vehicle for regional culture in the inheritance and development of the arts in the new era. The study of its performance language helps to strengthen cultural identity while promoting the vitality of traditional art through innovation.
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