Song Nang Nak Noi : Creative Tradition Folk Dance from Local Wisdom to Promote Cultural Tourism in Khemmarat District, Ubon Ratchathani Province DOI:

Abstract

The objectives of this research article are: 1) to study and collect the local wisdom of Mudmee fabric with ‘Nak Noi’ (young naga) pattern of Khemarat District, Ubon Ratchathani Province; and 2) to create a folk dance performance derived from the wisdom of Mudmee weaving titled 'Song Nang Nak Noi’ (two young female nagas) to promote cultural tourism in Khemarat District, Ubon Ratchathani Province. Qualitative research methodologies were conducted in this study. Data were collected through a study of relevant literature and research documents. Data were also collected from 22 key informants, including the head of the authentic handwoven cotton fabric group in Khemarat, along with weavers, local scholars, academics, and those with experience in performing traditional folk dance in Khemarat. Focus group discussions, in-depth interviews, and participant and non- participant observation were used to collect data.The research findings show that the local wisdom of weaving the Mudmee ‘Nak Noi’ pattern, which has been inherited from ancestors, is divided into four main processes. 1) Cotton preparation (cotton cultivation, harvesting, ginning, fluffing, rolling, spinning, and skeining), 2) Mudmee process (winding the yarn, wrapping the frame, and tying the patterns), 3) Indigo dyeing (preparing the indigo, nurturing the fermentation vat, and the dyeing process), and 4) Weaving process (warping, setting up the loom, and weaving the cloth). For creating folk dance performances based on weaving wisdom, the creative work with five concepts were designed. 1) Performance format. It is divided into two acts, presenting the legend of the two Nagas and depicting local village women performing a ritual dance of worship for the two Nagas, reflecting the spiritual beliefs of the community. 2) Choreography and formations. The choreography features a combination of standard Thai classical dance and local folk movements, interpretive dance with the lyrics, mimic natural movements, including rhythmic stomping, sliding steps and "arch-shaped" formations to convey symbolic meanings. 3) Costumes and Ornaments. Mudmee cotton with the "Nak Noi" pattern is primarily used to represent the unique identity of the community. The outfits are further embellished based on the local legends. 4) Music and songs. Traditional folk music featuring various melodies, including Lam Phuen, Lam Dern, Lam Tang Wai, and Lae, was used to evoke a mystical atmosphere regarding the beliefs of the Nagas in the Mekong River. 5) Performance Occasions. The dance is performed at the Khemarat Cultural Street, sacrificial rituals, traditional merit-making festivals, and other appropriate events.