“Sattamahasathan” The process of designing the Mudhalin pagoda. Wat Phra That Phanom Woramahawihan, Nakhon Phanom Province DOI:

Abstract

The research project “The Process of Designing the Mudhalin Pagoda, Wat Phra That Phanom Woramahawihan, Nakhon Phanom Province” aimed to : (1) study the historical background and significance of the Sattamahasathan (Seven Great Sacred Places) in relation to the area of Wat Phra That Phanom Woramahawihan, and to examine the relationship between Mujalin Pagoda and the evidence of the Sattamahasathan within the temple grounds; (2) analyze the design concepts of Mujalin Pagoda at Wat Phra That Phanom Woramahawihan; and (3) propose guidelines for the design process of Mujalin Pagoda at the temple. The research methodology is based on a qualitative research approach grounded in historical and descriptive research methods to examine key factors and relationships associated with the historical concept of Sattamahasathan the analysis aims to clarify their significance as religious sites and to develop a conceptual framework for the architectural design. This analysis is conducted in accordance with qualitative and historical research approaches, aligning with the conceptual framework of Sattamahasathan and its relationship to the spatial context. Data are synthesized from documentary research, site surveys, and in-depth interviews in order to identify and determine the key factors that significantly influence the architectural design of the Muchalin Pagoda. The findings reveal that Wat Phra That Phanom Woramahawihan constitutes one of the most significant sacred sites in Thailand and the Indochina region, exhibiting a profound symbolic association with the concept of the “Sattamahasathan”. This study enables an analysis of the design process and the development of a conceptual framework for the Mudhalin Pagoda, defined as “the creation of a sacred place imbued with profound meaning.” The Muchalin Pond of Dhamma is conceived as a place that brings together narratives and symbolic elements of Buddhist teachings and beliefs. This connection led to an analysis of the design process and the development of design concepts derived from documentary research and religious studies. The findings were applied to the design of the Mujalin Pagoda, which is a crucial step in creating a work that responds to artistic expression, Buddhist symbolism, and practical feasibility in construction.