Construction and Verification of the Theoretical Model of Dance Sports Performance Dance Creation and Application from the Perspective of Semiotics

Weixiao Liu; Ladda  Ruangmanotam; Prakit  Hongsaenyatgam; Chroen  Kruatiwa

doi:10.14456/jsasr.2023.47

Authors

Weixiao Liu Faculty of Sports Science and Technology Bangkokthonburi University, Thailand https://orcid.org/0009-0009-5501-1544
Ladda Ruangmanotam Faculty of Sports Science and Technology Bangkokthonburi University, Thailand https://orcid.org/0009-0007-1123-5066
Prakit Hongsaenyatgam Faculty of Sports Science and Technology Bangkokthonburi University, Thailand https://orcid.org/0009-0009-2196-0258
Chroen Kruatiwa Faculty of Sports Science and Technology Bangkokthonburi University, Thailand https://orcid.org/0009-0002-3985-0136

DOI:

https://doi.org/10.14456/jsasr.2023.47

Keywords:

Semiotics; , Dance Sports Performance Dance; , Creation; , Interaction; , Theoretical Model; , Verification

Abstract

Background and Aim: This is research and development research. Therefore, the objectives of this research were (1) to study the corresponding relationship between semiotics and the creation of sports dance performance dance. (2) to construct the theoretical model of sports dance performance dance and (3) to verify the theoretical model of sports dance performance created by semiotics.

Materials and Methods: This thesis introduces the theories of choreography and semiotics, and adopts the methods of literature, video observation and analysis, case analysis, interdisciplinary method, simulation method (model method), system science method, and comprehensive thinking method to analyze dance sports performances. More systematic and in-depth research has been carried out on the creation and arrangement of dance. The construction of the application theory model of dance sports performance dance creation includes two basic links: construction and verification. Model construction includes (1) Model positioning: The model established in this thesis is neither an abstract and generalized pure theoretical model, nor a purely creative schematic diagram of practice, but an applied theoretical model combining theory and practice. (2) The idea of model construction: Construct the overall outline and each main module of the overall model; build sub-models step by step according to the idea of from sub-to-general, and finally integrate the 6 sub-models into a comprehensive theoretical model of overall performance dance creation and application. The verification of the application theory model of dance sports performance dance creation is divided into two parts: theoretical verification and practical verification. (1) Theoretical verification. Choose dance theory and semiotics theory to verify all sub-models and the final total model. (2) Example verification. The paper selects 6 more classic case examples to verify the overall model.

Results: The research results show that: (1) Interaction is the basis for the existence of dance sports performance dance; (2) Dance sports performance dance has both artistic attributes and sports attributes; (3) Dance theory and semiotics both prove that dance sports performance dance creation contains content Creation and form creation are the two most basic links; (4) The construction of the model can not only reflect the theoretical results of this paper, but also has objectivity and operability, which is convenient for combining theory with practice, and provides a good source for dance sports performance dance creation. Effective theoretical reference and practical operation mode.

Conclusion: The Conclusion was (1) Interaction is the basis of performance dance; (2) Performance dance has both artistic and sports attributes; (3) Both dance theory and semiotic theory have proved that the creation of performance dance consists of basic links; (4) The content of the performance dance determines the form;（5）The interaction and translation between form and content is the basic way of the form and content of performance dance, etc.

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