Development of Music Appreciation Course Based on Case Based Learning and Flipped Classroom to Enhance Music Appreciation Ability for First Year Students in Yan’an University
Abstract
Background and Aim: Teaching strategies that involve listening to music, expressing emotions, and analyzing its beauty can improve high school students' music appreciation abilities and help them learn music better. This study aimed to 1) compare students’ music appreciation ability before and after implementing a music appreciation course based on Case-based learning combined with Flipped classroom and 2) compare the students’ satisfaction towards the music appreciation course based on Case-based learn combined with Flipped classroom using criteria of 3.51.
Materials and Methods: The sample was 25 second-year students majoring in music appreciation course in Yan’an University, academic year 2023. They were derived by cluster random sampling. Experimental design is the one group pretest-posttest design. The research instruments were 1) Music appreciation course based on Case-based learning and Flipped classroom 2) lesson plans based on the case-based learning and flipped classroom approach, 3) music appreciation ability test (knowledge) with a reliability index of .836, 4) music appreciation ability test (skill/ability) which reliability was .811 and 5) satisfaction questionnaire which reliability was .718. The data was analyzed by using mean, standard deviation, t-test for dependent samples and t-test for one sample.
Results: The results of the study were as follows: 1) After implementing music appreciation course based on case-based learning and flipped classroom, the post-test scores of students’ music appreciation ability was greater than pre-test scores at .05 level of statistical significance (M=56.39, SD=9.65, t = 16.044, p = .000). 2) The students’ satisfaction was statistically higher than the determined criterion of 3.51 at .05 level of statistical significance.
Conclusion: Implementing case-based learning and flipped classroom methods in music appreciation courses can improve students' self-assessment of their abilities, enhance interest in learning, inform future teaching practices, cultivate a love for music, and develop well-rounded individuals with balanced moral and intellectual growth.
Article Details
How to Cite
Section
Articles
Copyright & License
Copyright (c) 2025 International Journal of Sociologies and Anthropologies Science Reviews

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Copyright on any article in the International Journal of Sociologies and Anthropologies Science Reviews is retained by the author(s) under the under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Permission to use text, content, images, etc. of publication. Any user to read, download, copy, distribute, print, search, or link to the full texts of articles, crawl them for indexing, pass them as data to software, or use them for any other lawful purpose. But do not use it for commercial use or with the intent to benefit any business.
References
Abeysekera, L., & Dawson, P. (2014). Motivation and cognitive load in the flipped classroom: Definition, rationale and a call for research. Higher Education Research & Development, 34(1), 1-14.
Akçayır, G., & Akçayır, M. (2018). The flipped classroom: A review of its advantages and challenges. Computers & Education, 126, 334–345. https://doi.org/10.1016/J.COMPEDU.2018.07.02
Campbell, D. T., & Stanley, J. C. (1966). Experimental And Quasi-Experimental Design for Research. Chicago: Rand Mc.
Gabrielsson, A. (2001). Emotions in strong experiences with music. In P. N. Juslin, & J. A. Sloboda (Eds.), Music and emotion: Theory and research (pp. 431-449). New York: Oxford University Press.
Hao, Y. (2016). Exploring undergraduates' perspectives and flipped learning readiness in their flipped classrooms. Computers in Human Behavior, 59, 82–92. https://doi.org/10.1016/j.chb.2016.01.032
Herreid, C. F. (1994). Case studies in science-A novel method of science education. Journal of College Science Teaching, 23, 221-221.
Herreid, C. F. (1997). What makes a good case? Journal of College Science Teaching, 27(3), 163–165.
Johnson, D., Damian, D., & Tzanetakis, G. (2020). Evaluating the effectiveness of mixed reality music instrument learning with the theremin. Virtual Reality, 24, 303-317.
Juslin, P. N., & Sloboda, J. A. (2010). The past, present, and future of music and emotion research. In P. N. Juslin & J. A. Sloboda (Eds.), Handbook of music and emotion: Theory, research, applications (pp. 933–955). Oxford University Press.
Karabulut-Ilgu, A., Jaramillo Cherrez, N., & Jahren, C. T. (2018). A systematic review of research on the flipped learning method in engineering education. British Journal of Educational Technology, 49(3), 398-411.
Kvashnina, O. S., & Martynko, E. A. (2016). Analyzing the Potential of Flipped Classroom in ESL Teaching. International Journal of Emerging Technologies in Learning (iJET), 11(3), 71–73. https://doi.org/10.3991/ijet.v11i03.5309
Låg, T., & Sæle, R. G. (2019). Does the flipped classroom improve student learning and satisfaction? A systematic review and meta-analysis. AERA Open, 5(3), 1-17.
Lai, C.-L., & Hwang, G.-J. (2016). A Self-Regulated Flipped Classroom Approach to Improving Students’ Learning Performance in a Mathematics Course. Computers & Education, 100, 126-140.
Lee, V. S. (2012). What is inquiry-guided learning? New Directions for Teaching and Learning, 129, 5–14. https://doi.org/10.1002/TL.20002
Lehmann, A.C., & Ericsson, K.A. (1997). Research on expert performance and deliberate practice: Implications for the education of amateur musicians and music students. Psychomusicology: A Journal of Research in Music Cognition, 16(2), 40. DOI:10.1037/h0094068
Li, Q. (2018). Characteristics of Early Electronic Music Composition in China’s Mainland. Contemporary Music Review, 37(1-2), 135-146.
Liu, J. (2015, November). On Development Status and Countermeasures of College Music Appreciation Course. In 2015 International Conference on Social Science, Education Management and Sports Education (pp. 1026-1029). Atlantis Press.
Masko, M. K., Thormodson, K., & Borysewicz, K. (2020). Using case-based learning to teach information literacy and critical thinking skills in undergraduate music therapy education: A cohort study. Music Therapy Perspectives, 38(2), 143-149.
NG, D. T. K., NG, E. H. L., & CHU, S. K. W. (2022). Engaging students in creative music making with musical instrument application in an online flipped classroom. Education and Information Technologies, 27(1), 45–64. https://doi.org/10.1007/s10639-021-10568-2
Pisani, A.R., & McDaniel, S.H. (2005). An Integrative Approach to Health and Illness in Family Therapy. In J. L. Lebow (Ed.), Handbook of clinical family therapy (pp. 569–590). John Wiley & Sons, Inc..
Regelski, T. A. (2016). Music, music education, and institutional ideology: A praxial philosophy of musical sociality. Action, Criticism, and Theory for Music Education, 15(2), 10–45.
Savery, J. R., & Duffy, T. M. (1995). Problem-based learning: An instructional model and its constructivist framework. Educational technology, 35(5), 31-38.
Shuyuan, C., Pattananon, N., & Detdee, S. (2023). The Students’ Satisfaction in Higher Education Music Course in China. Journal of Modern Learning Development, 8(7), 454–463.
Sohrabi, B., & Iraj, H. (2016). Implementing Flipped Classroom Using Digital Media: A Comparison of Two Demographically Different Groups Perceptions. Computers in Human Behavior, 60, 514-524.
Tiyawong, A., & Chankit, M. (2024). Integrating Digital Flipped Classroom with Student Team Achievement Division Approach to Improve English Reading Skills. Asian Interdisciplinary and Sustainability Review, 13(1), 1-11.
Tobudic, A., Widmer, G. (2004). Case-Based Relational Learning of Expressive Phrasing in Classical Music. In: Funk, P., González Calero, P.A. (eds) Advances in Case-Based Reasoning. ECCBR 2004. Lecture Notes in Computer Science, vol 3155. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-540-28631-8_31
Tsubonou, Y., Tan, A., & Oie, M. (2019). Creativity in Music Education (Creativity in the Twenty-First Century) (1st ed. 2019 ed.). Springer.
Wan, W. (2023). The importance of developing creative thinking in the preparation of music education professionals in universities. https://doi.org/10.1080/10494820.2023.2188400
Wang, H. (2018). The application of flipped classroom in colleges and universities piano collective classes. Creative Education, 9(7), 1344-1348. https://doi.org/10.4236/ce.2018.97100
Wang, Z. (2024). Flipped Classroom Activities via Online Media to Development Self-Directed Learning of Students at Chongqing College of International Business and Economics. Procedia of Multidisciplinary Research, 2(1), 2.
Williams, B. (2005). Case based learning—a review of the literature: is there scope for this educational paradigm in prehospital education? Emergency Medicine Journal, 22(8), 577–581. https://doi.org/10.1136/EMJ.2004.022707
Yu, L. (2021). Research on the construction of music appreciation ecological classroom and the innovation of teaching methods. In E3S Web of Conferences (Vol. 235, p. 02034). EDP Sciences.