An Analysis of the Potential Advantages of Characteristics in Contemporary Chinese Printmaking for Abstract Creation: The Role of Flatness, Process, Texture, and Chance

Bowen Chang
Thailand
https://orcid.org/0009-0009-2033-4861
Sakon Phungamdee
Thailand
https://orcid.org/0009-0003-0331-3950
Keywords: Contemporary Chinese Printmaking, Abstract Creation, Creative Method
Published: May 21, 2025

Abstract

Background and Aim: Contemporary Chinese printmaking, with its emphasis on flatness, texture, process, and chance, offers unique avenues for abstract expression. This study aims to explore how these characteristics contribute to the depth and dynamism of abstract printmaking, filling a gap in existing research that largely focuses on representational perspectives.


Materials and Methods: This research employs case analysis and literature review as its primary methods. Case studies of prominent Chinese abstract printmakers, such as Tan Ping, Zhong Xi, and Tang Chenghua, are analyzed to illustrate the innovative use of flatness, texture, and process in their works. A comprehensive literature review contextualizes these findings within broader artistic trends.


Results: The study reveals that the interplay of flatness, texture, process, and chance significantly enhances the emotional and visual impact of abstract printmaking. These characteristics not only expand the expressive range of the medium but also provide fresh insights into the role of printmaking in contemporary abstract art.


Conclusion: The findings suggest that printmaking’s unique qualities can inspire new creative practices in both abstract art and art education. The study also highlights the potential for further research into cross-media applications and audience perceptions of abstract printmaking, offering directions for future scholarly and artistic inquiry.

Article Details

How to Cite

Chang, B. ., & Phungamdee, S. . (2025). An Analysis of the Potential Advantages of Characteristics in Contemporary Chinese Printmaking for Abstract Creation: The Role of Flatness, Process, Texture, and Chance. International Journal of Sociologies and Anthropologies Science Reviews, 5(3), 705–712. https://doi.org/10.60027/ijsasr.2025.6104

Section

Articles

References

Guo, S. (2012). Analysis of chance in copperplate printmaking. Jilin University Press.

Li, Z. (2019). Application of chance effects in screen printing. Doctoral dissertation, Hubei University of Technology.

Liang, J., & Zhao, H. (2021). Exploring structural clarity in abstract art: Flatness as a compositional strategy. Journal of Visual Arts Research, 15(3), 245-260.

Liu, F. (2019). Landscape on the Plane: Practice and research on flat language in landscape printmaking. Doctoral dissertation, Shanghai Normal University.

Liu, Y. (2009). A brief discussion on the characteristics of chance and repetition in composite printmaking. Exam Weekly, 34, 1-10.

Liu, Z. (2016). On the chance quality of texture in printmaking: Reflections from my woodcut texture creation. Children's World, 30, 288-298.

Qi, F., & Luo, B. (2011). Behind the individual schema: Analysis of contemporary young and middle-aged printmakers (Part 2). Lingnan Fine Arts Publishing House.

Wang, L. (2000). The solid tin method: A new exploration of materials and techniques in copperplate printmaking. Art Observation, 10, 1-12.

Wang, Y., & Chen, L. (2022). Process in art: Temporal dimensions and spontaneity in creative practices. Art and Design Studies, 18(2), 178-194.

Xu, T., et al. (2020). The sensory appeal of texture in contemporary art. Journal of Aesthetic Studies, 22(4), 312-328.

Ye, Y. (2013). Tan Ping: "Print | Coincidence | Infinitive" is the development process of my printmaking. Retrieved from https://www.cafa.com.cn/cn/figures/article/details/8319876

Zhang, D. (2021). On the integration of printmaking art language and graphic design. Doctoral dissertation, Shanxi Normal University.

Zhang, F. (2023). The role of chance in abstract art: A study of improvisational methods. Abstract Art Journal, 12(1), 54-67.

Zhao, W. (2018). Application and practice of "water drop technique" in texture effects of copperplate printmaking. Doctoral dissertation, Shenyang Normal University.