Cultural Synthesis in Zhang Zhao's “Chinese Melody”: National Characteristics in Piano Adaptations of Folk Songs
Abstract
Background and Aim: The piano adaptations of Chinese Melody by Chinese pianist-composer Zhang Zhao represent a major contribution to the synthesis of cross-cultural music. This study seeks to explore the national characteristics embedded in these works and examine how Zhang integrates Western compositional techniques with Chinese musical traditions.
Materials and Methods: This research employs a comprehensive musicological analysis of selected folk song adaptations, concentrating on four key dimensions: melodic treatment, harmonic language, rhythmic patterns, and timbral exploration.
Results: The analysis highlights Zhang's distinctive approach to cultural synthesis, demonstrated through: (1) the preservation of pentatonic and heptatonic modes, enhanced with ornamental techniques derived from traditional Chinese music; (2) the fusion of Chinese harmonic colors—such as parallel fifths and open octaves—with Western functional harmony; (3) hybrid rhythmic patterns that blend pianistic writing with elements inspired by traditional Chinese instrumental techniques; and (4) innovative timbral solutions that evoke ethnic sonorities while preserving the virtuosic traditions of Western piano music.
Conclusion: Zhang Zhao's adaptations present an exemplary model of cultural dialogue in piano composition, skillfully balancing ethnic authenticity with the conventions of Western art music. This study provides a significant contribution to ethnomusicological scholarship and serves as a valuable resource for composers seeking to incorporate folk materials into their works.
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