From “Western Tribute” to “Localized Voice”: The Cello's Transformation in Chinese Music
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Abstract
Background and Aim: The cello was introduced to China in the late 19th century and gradually integrated into the national orchestra. Since the 1950s, it has served as a key low-pitched instrument, enhancing the overall sound of traditional Chinese orchestras. However, debates persist regarding its adaptability due to perceived differences in timbre and idiomatic playing styles. This study aims to address the limited understanding of the cello's localization process in China by analyzing its functional roles within the national orchestra and its cultural adaptation. The central research question explores how the cello has been adapted and integrated into the Chinese National Orchestra while maintaining its Western identity.
Materials and Methods: This study employs a mixed-methods approach, combining literature review, fieldwork conducted with members of the Shanghai Chinese Orchestra, and ethnomusicological theory. Historical documents related to the introduction of the cello to China in the 18th century were analyzed. The study utilizes Bruno Nettl’s concept of “musical change” to examine the cello’s functional roles and impact within the national orchestra.
Results: The study finds that the localization of the cello in China has undergone three stages: introduction, development, and integration. During this process, the cello not only filled the bass section gap of the national orchestra but also integrated with traditional Chinese instruments through adjustments in bowing techniques to mimic traditional timbres and the adoption of new tunings. These adaptations have allowed the cello to become an essential part of the orchestra.
Conclusion: This research reveals the “technical adaptation-functional transformation-meaning reconstruction” paradigm of the cello’s localization, providing a theoretical framework for cross-cultural music studies. It offers new perspectives and insights for understanding the localization process of foreign instruments.
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