Book Review: “Nang Yike Chai: The Era of (Non-)Governmental Popularity”

Authors

  • Chanan Mekmok Faculty of Arts, Silpakorn University

Abstract

Yi-ke is a traditional performance art that evolved from "Lakhon Nok," which exclusively featured male actors. In the early days, women primarily performed in classical dance dramas. Yi-ke originated from Lakhon Nok because it resonated with the common folk through its humor, easy-to-understand stories, often drawn from Thai literature, and its affordability compared to other forms of entertainment.

The fascination with all-male Yi-ke lies in the actors' ability to portray both male and female roles. This requires a great deal of skill to convincingly convey the emotions, mannerisms, and gestures typical of women. If the male actors happen to have a feminine disposition, their portrayal of female characters becomes even more realistic.

References

Geertz, Clifford. (1973). Interpretation of Cultures. New York: Basic Books.

Geertz, Clifford. (1981). Negara: The Theatre State in 19th Century Bali. Princeton: Princeton University Press.

Mead, Margaret. (1928). Coming of Age in Samoa: A Psychological Study of Primitive Youth for Western Civilization. USA: William Morrow and Co.

Turner, Victor. (1996). The Ritual Process: Structure and Anti-Structure. London: Routledge.

Downloads

Published

2024-06-30

How to Cite

Mekmok, C. (2024). Book Review: “Nang Yike Chai: The Era of (Non-)Governmental Popularity”. Journal of Liberal Arts RMUTT, 5(1), 103–106. Retrieved from https://so07.tci-thaijo.org/index.php/JLA/article/view/5191

Issue

Section

Book review