Socio-Anthropological Analysis of Musical Characteristics and Contemporary Status of Naxi Chinese Folk Songs
DOI:
https://doi.org/10.60027/ijsasr.2024.4829Keywords:
Naxi Folk Songs; , Cultural Preservation; , Ethnomusicology; , Socio-anthropological Analysis; , Digital MediaAbstract
Background and Aims: The musical heritage of the Naxi people, an ethnic minority in Yunnan Province, China, embodies a unique blend of traditional and contemporary influences, serving as a vivid example of cultural resilience. The aim is to analyze the socio-anthropological aspects of the musical characteristics and contemporary status of Naxi Chinese folk songs.
Materials and Methods: A qualitative research approach was employed, integrating ethnographic fieldwork in Tacheng Township, Yulong Naxi Autonomous County, Lijiang City, Yunnan Province, China, semi-structured interviews with three key informants, and participant observation. The data were collected in Tacheng, a region known for its rich Naxi musical culture. This approach allowed for an in-depth exploration of the interactions between the Naxi community and their musical traditions, focusing on how cultural practices are transmitted, adapted, and sustained in contemporary settings.
Results: The study revealed that Naxi folk songs, particularly the genre "Guqi," are not only artistic expressions but also crucial carriers of community memory and identity. Adaptation strategies such as incorporation into cultural festivals and modern media were observed. Challenges include a generational gap in the transmission of knowledge and the impact of economic development on traditional practices.
Conclusion: Naxi folk songs demonstrate significant resilience through adaptation and continuity, reflecting broader themes of cultural sustainability and identity negotiation. Recommendations for enhancing youth engagement and leveraging digital media for cultural preservation are proposed to ensure the longevity of these musical traditions.
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